About
Belgian-American violinist, Maximilian Haft resides in Geneva, Switzerland, where he’s lived since 2015. A multifaceted musician performing a wide array of repertoire, Max specializes in contemporary solo, chamber, ensemble music and free improvisation. He has performed on major stages and intimate venues across Europe, North America, South America, Australia and the Middle East.
As a soloist, Max has performed and premiered contemporary violin concertos with the Northern Netherlands Symphony Orchestra, Ensemble Contrechamps, the Geneva Chamber Orchestra, the UC Davis Symphony Orchestra, Collegium Novum Zurich, and the Kosovo Philharmonic. He has recorded for Mode Records, Kairos, Klarthe, Wergo, Col Legno, Edition RZ, Fyo, Megadisc, Centaur, Neu Records, and Musique Suisse labels as a soloist, chamber or ensemble musician.
Max has held the position of principal violin with Ensemble Contrechamps since 2015 and is a founding member of Ensemble Proton Bern, two new music institutions based in Switzerland. He is also a founding member of Trio Thrips, a piano trio dedicated to premiering hour-long (+) works. Max has also been a regular guest performer with Musik Fabrik, Asko-Schoenberg Ensemble, Ensemble Klang, E-Mex Ensemble, the Callithumpian Consort and was a former member of Ensemble Garage in Cologne. As an orchestral musician, Max is a frequently invited guest concertmaster with the Orchestre de la Suisse Romande. He has also worked with the Bern Camerata, the United Strings of Europe, the Metropole Orchestra, and was a former 1st violinist of the New Utrecht Philharmonie. Max has premiered solo and chamber works by such composers as Samuel Andreyev, Michael Jarrell, Dominique Schafer, and has worked closely with Heinz Holliger, Oliver Knussen, Hans Zender, Beat Furrer, and Michael Gordon. He has appeared at such festivals as Donaueschingen, Eclat, Acht Brücken, Warsaw Autumn, Archipel, Pori Jazz, Orvieto Winter Jazz, Edinburgh World Festival, The Lucerne Festival, Re-musik, Archipel, and the Festival for New American Music in Sacramento.
Beyond the classical and contemporary music world, Max has performed, recorded and collaborated with a diverse cast of jazz, electronic, pop, and folk musicians including Marc Ribot, Jamaaladeen Tacuma, Roscoe Mitchell, Eef van Breen, Matmos, Colin Self, Tesla, White Hinterland (Casey Dienel), Anais Mitchell, Maya Hawke, and Sam Amidon. He was a founding member of the New York based band Cuddle Magic. In 2021, Max transcribed and premiered the first live performance of Tony Conrad’s 4 Violins. He continues to develop his own electro-acoustic compositions using collected field recordings and string drones.
Formally a doctoral candidate at University of Leiden’s artistic research program, Max’s research revolved around the organology of the Stroh violin. The subject of his PhD dissertation is entitled: The Strings of a Horn: demystifying the past and provoking the future of the Stroh Violin. He has taken part in performance residencies at Stanford University, University of California, Berkeley, University of California, Davis, The University of Texas, Austin, and The Royal Birmingham Conservatoire, and has been a guest lecturer at La Manufacture in Lausanne, the Conservatory of Geneva (HEM) and the Sibelius Academy in Helsinki. He is currently an adjunct professor for contemporary violin performance and chamber music at the Haute école de musique Geneva (HEM).
Max studied at the San Francisco Conservatory of Music pre-college division with Zaven Melikian and Wei He. He has a Bachelor’s in Violin Performance from the New England Conservatory of Music in Boston where he studied with Masuko Ushioda†. He graduated with a Master’s degree cum laude from the Royal Conservatory of The Hague having studied with Vera Beths. During his Master’s studies, Max was a finalist in De Link Prijs (2011) and in the Storioni Chamber Music Competition, as well as a recipient of the HSP Huygens Scholarship (2010).
Max plays on a violin made by Andranik Gaybarian and a bow from Randy Steenburgen. He is a native of Sacramento California where he returns during the summer to teach chamber music to young aspiring musicians of his former youth symphony.
When not musicking, Max enjoys swimming year round in most bodies of water. He’s an avid body surfer, hiker, record collector & DJ, and a novice art collector.
Ensembles
Ensemble Contrechamps
https://www.contrechamps.ch/fr/a-propos/les-musiciens/maximilian-haft
Ensemble Proton
https://ensembleproton.ch/en/artist/maximilian-haft
Trio Thrips
https://www.instagram.com/trio.thrips/
Projects
Tony Conrad – Four Violins Live
Arranged and reimagined by Maximilian Haft
Tony Conrad’s recording of Four Violins is a monumental work of early American minimalism. Recorded in his lower eastside Manhattan apartment in December 1964 using a reel-to-reel tape recorder, Tony Conrad layered 4 tracks of a heavily distorted violin drone which became a signature sound in his work with Lamonte Young’s Theatre of Eternal Music as well as in his later recordings.
Profoundly influenced and moved by Four Violins, I had always wondered how it would sound if played in a live context. Thus was my inspiration to arrange the 35-minute work for two violins sustaining all four voices. Out of respect for the recording and with the guidance of Tony Conrad’s estate, I made a very precise arrangement which was done panning between each channel and using a timer to notate each of the four voices. I worked with sound designer and engineer Thierry Simonot to create a patch which most closely resembles the distortion of the recording.
Tony Conrad passed away in 2016 leaving a prolific legacy as a film maker, a philosopher, a sociologist, and as a musician. Four violins Live presents a new sonic context of the piece which had only existed as a recording for nearly 60 years. It is a 35-minute sonic voyage that evokes a meditative “deep-listening” like quality to its listeners through varying densities of timbre, microtonality, and distortion.
Four Violins Live was premiered at MAMCO Geneva in 2021 and has subsequently been performed at the Huddersfield Festival in 2023.
Tony Conrad - 4 Violins (1964) arr. for 2 violins (2021)
BE-longing
An ongoing interdisciplinary exploration of (s)pace
BE - longing explores the converging specters that exist between sound, music, word, and image, and the construction of meaning in human experiences of space, its expansions, and contractions. Nuria Manzur-Wirth (texts, voice, staging), Jérôme Piguet (video installation), Maximilian Haft (music/violin), and Wilfrido Terrazas (music/flutes) make up the axes of this interdisciplinary and intra-sensory dialogue. BE-longing was premiered at the University of California San Diego Conrad Prebys Center in November 2022.
Société de Musique de Chambre du Mandement
Une série de concerts de musique classique organisée trois fois par an, qui a pour objectif de proposer des programmes de musique de chambre intimistes dans la région du Mandement, près de Genève. Les concerts ont généralement lieu avant Noël, pendant la semaine de Pâques et une fois au début de l'automne. Ils se déroulent au Temple de Russin, au château de Dardagny et à l'église protestante de Satigny.
A triannual classical concert series that focuses on bringing intimate chamber music programs to the Mandement region of Geneva. The concerts usually take place before Christmas, during Easter week, and once in early Autumn. The concerts take place at The Temple of Russin, the Chateau of Dardagny, and the Protestant church of Satigny.
The Offbeat with Katt Cullen on World Radio Switzerland
Every month or so I host a segment on World Radio Switzerland called “The Offbeat”, where I talk about new experimental, classical, jazz and world music shows in Switzerland. It’s featured on WRS’s mid morning mix with Katt Cullen. Here’s the link for more information:
https://www.worldradio.ch/listen-again/listen-again/episode/the-offbeat-nov-2023/
EVENTS 2026/2027
For future events, please visit the websites of Ensemble Contrechamps, Ensemble Proton, and Trio Thrips I will only be listing events for my personal projects here.
> September 24th - 19:30h Victoria Hall, Geneva CH
Orchestre de la Suisse Romande plays Cyrille Aufort’s Laurel and Hardy
>November 26th - 19:00h Musée d'art et d'histoire, Geneva CH
György Kurtág - Visite en musique w/ the students of the Haute école de Musique Genève
>December 13th - 16:00h Temple de Russin, Russin CH
1st concert of the SMCM (Société de Musique de Chambre du Mandement) with cellist Jan-Filip Tupa
Research
Over the course of the last century,
The Stroh violin has been utilized in a variety of different musical contexts. Named after its inventor, John Matthias Augustus Stroh, this unique stringed instrument is amplified by a resonating diaphragm attached to an aluminum horn. The Stroh violin found initial commercial success in the recording studio when acoustic recording was at its height. The moveable horn of the Stroh violin made it possible to project the sound directly into a recording phonograph and was considered to be significantly louder and thus superior than a traditional violin. Its success as a recorded instrument however was short lived following the development of electrical recording in 1925. At around the same time of its obsolescence in the recording studio, the Stroh violin was being performed in dance hall and cabaret bands in the United States, Europe and the British colonial spheres of India and Australia during the prewar period. Its influence spawned the manufacture and adaptation of several similar instruments such as the Tiebel violin and the Romanian Vioara cu Goarna, a folk instrument which continues to be performed today. Despite these feats, The Stroh violin has gradually faded in to relative obscurity and as a result remains the subject of limited investigation and acoustical analysis.
Upon hearing a Stroh violin, one can easily distinguish its brazen timbre from a traditional violin. It is in essence a violin, for the simple fact that any capable violinist can pick up a Stroh and play it as if it were their own. Their accessibility is relatively widespread given that there are horn violin luthiers in Myanmar, Romania, Germany, and the United States. Why then is the Stroh violin considered more as a relic from a bygone era, a museum piece, than a practical musical instrument? My research aims to expose the capacity of these particular horn violins through the examination of acoustics, musicological analysis, and performance practice. Is the Stroh violin in fact louder than a conventional violin? How might its unique sound qualities and its extended techniques appeal to composers or improvisers and ultimately to a 21st century audience? The fact is, these instruments still remain under researched in both the fields of musicology, organology, and artistic research and, therefor, it is my intention to … shine a light, academically into this corner of “musica obscuritas.”
*Research Catalogue Publication
Media
Michael Jarrell’s Dornröschen (Nachlese IVb) (2015)
Witold Lutoslawski’s - Chain II for violin and orchestra
Arvo Pärt - Fratres for violin and piano (arr. harp) (1980)
Eric Wubbels - Trio Thrips - VII. second per second (from if & only if)
Jesse Broekman - Gehavende Letters for solo violin
Ensemble Proton Bern's Youtube page
https://www.youtube.com/user/ensembleprotonbern
Soundcloud Page
https://soundcloud.com/maximilian-haft
RECORDINGS
* Zeynep Toraman – Castle Terraces in Barry Lyndon
https://activerat.org/moon/product/zeynep-toraman-castle-terraces/
* Michael Jarrell – Paysages avec figures absentes – Nachlese IV , Nachlese Vb (Liederzyklus)
https://activerat.org/moon/product/jarrell/
* O. Omelchuk, S. Krebber & H. Seidl - Next to Your Fire - Ensemble Proton
https://fakemarble.bandcamp.com/album/next-to-your-fire
* Catherine Lamb - Curva Triangulus
https://www.anothertimbre.com/products/catherine-lamb-curva-triangulus-ensemble-proton
* Simon Aeschimann - Chœur en Fusion
https://choeurenfusion.bandcamp.com/album/ch-ur-en-fusion-2
* Chiyoko Slavnics - Memory Spaces
https://www.neurecords.com/memoryspaces/?mc_cid=248e047e76#video
* Peter Eötvös - Fermata, Respond, Cziffra Psodia
https://bmcrecords.hu/albumok/peter-eotvos-fermata-respond-cziffra-psodia
* CHRISTOPHER TRAPANI - HORIZONTAL DRIFT
https://www.newfocusrecordings.com/catalogue/christopher-trapani-horizontal-drift/
* Bernhard Lang - Voice and Ensemble
https://kairos-music.com/products/recording/0022300kai
* Jonah Haven - Gasser
https://www.schott-music.com/de/gasser-no575412.html
* Samuel Andreyev- In Glow of Like Seculusion
https://www.fr.fnac.ch/a19656345/Samuel-Andreyev-In-Glow-Of-Like-Seclusion-CD-album
* Francisco Meirino et Ensemble Contrechamps - The Imitation of an Action
https://editions-contrechamps.org/cd/the-imitation-of-an-action/
* Massicot + Ensemble Contrechamps - Upe
https://editions-contrechamps.org/cd/upe/
* MARCIN STANCZYK - ACOUSMATIC MUSIC
https://pwm.com.pl/en/sklep/publikacja/acousmatic-music,marcin-stanczyk,24554,shop.htm
* STEVE REICH - MUSIC FOR 18 MUSICIANS
https://megadisc-classics.com/album/music-for-18-musicians/
* VARESE, LIGETI, LUTOSLAWSKI, BALDINI
* BRYN HARRISON - Time Becoming
https://www.neurecords.com/timebecoming/
* DOMINIQUE SCHAFER - Vers une présence réelle ...
https://www.kairos-music.com/cds/0015036kai
* GRAMMONT SÉLECTION 9
https://prohelvetia.ch/en/shop/grammont-selection-9/
* SAMUEL ANDREYEV - Moving
http://www.klarthe.com/index.php/en/records-en/moving-detail
* CLARA IANNOTTA - A failed entertainment
https://www.edition-rz.de/3383-107,2,0.html
* BEAT FURRER - Komponisten-Portrait
https://www.musiques-suisses.ch/en/products/Beat-Furrer-Komponisten-Portrait.html
* JAGODA SZMYTKA - Bloody cherries
https://en.schott-music.com/shop/bloody-cherries-no331111.html
* BRIGITTA MUNTENDORF - It may be all an illusion
https://www.col-legno.com/en/shop/40411-brigitta-muntendorf-it-may-be-all-an-illusion
* PETER STREIFF - Vokal/Instrumental
https://www.soundohm.com/product/vokal-instrumental/pid/25421/
* GRAMMONT SÉLECTION 5
https://www.musiques-suisses.ch/products/Grammont-Selection-5-Urauffuehrungen-aus-dem-Jahr-2011.html
* ENSEMBLE KLANG - Walden - Heiner Goebbels
https://ensembleklangrecords.com/album/walden-heiner-goebbels-2
* PIERRE BOULEZ - Lucerne Festival Academy
http://accentus.com/discs/double-cd-pierre-boulez-and-the-lucerne-festival-academy-orchestra
* LEI LIANG - brush-stroke
http://www.moderecords.com/catalog/210liang.html
* BENJAMIN BRITTEN - War Requiem
http://www.arkivmusic.com/classical/album.jsp?album_id=198431
*** CUDDLE MAGIC - Info Nympho, Picture, Cuddle Magic
https://cuddlemagic.bandcamp.com/album/info-nympho
https://cuddlemagic.bandcamp.com/album/picture
https://cuddlemagic.bandcamp.com/album/cuddle-magic
* ANTONIO D. LUCA - Musik wozu